Inspired by the architecture of Two Temple Place (an opulent neo-Gothic 1890s mansion on  Victoria Embankment in London, owned by William Waldorf Astor), the film is in conversation with these surroundings. The film explores the nuances of the Global North’s empirical history 
and its very direct effects on the Black British diaspora. It is also a conversation between body and 
space. Between female form and that which has been sculpted by the male hand. Between skin and wood. In so many ways, the film relays the journey of Black woman against patriarchy, but moving through the building’s halls she defiantly claims the space as her own.